The Chocolate Cream Soldier

Arms and the Man – ChicagoShaw Theater Company

Continuing their 25th season, which is celebrating “All Shaw, All the Time,” is this popular and charming classic. Considered to be one of the playwright’s most entertaining comedies, ShawChicago has included a new production of this play in a season that celebrates the company’s namesake. Audiences unfamiliar with this company’s superb handling of the playwright’s works are in for a real treat. The play truly is the thing, because ShawChicago’s productions consist primarily of the author’s words. Stripped of snazzy scenery, ponderous props and special effects, the actors receive all of the focus, all the while carrying scripts and portraying their roles upon a bare stage. Mary Michell, in the tradition of the company’s late founder and artistic director, Robert Scogin, guides her actors toward their discovery of the play’s dynamics and pitch. She draws their performances downstage and full front. Working from music stands, the cast focuses front, engaging the audience as their acting partners. The result is an intimate performance that truly focuses on the author’s text. 

Chicago Musical Theatre Festival

5th Annual Chicago Musical Theatre Festival – Underscore Theatre Company

Producing a new musical is hard. Nearly impossible. The time, the energy, and the cost make it a daunting task. It’s part of the reason most new Broadway musicals are revivals of classics or adaptations of known, successful properties. There’s no other way to ensure a show will make back its investment. To counter that, Underscore Theater Company is dedicated to nurturing new works in Chicago. For the fifth year, they take submissions from writers around the world and give a chosen few productions over the course of three weeks. By pooling backstage resources like sound and lighting equipment and crews, new musicals can be more economically staged, and hopefully reach a wider audience.

Comedy With a Capital C

A Gentleman’s Guide to Love and Murder – Porchlight Theatre

The magnificent production that earned the Tony, Drama Desk, Drama League and the Outer Critics Circle Awards for the Best Musical of 2014 is now a glorious production at the Ruth Page Center for the Arts. This comedy, which borrows its plot from the 1949 British film, “Kind Hearts and Coronets,” and was, in turn, adapted from Roy Horniman’s novel The Autobiography of a Criminal, is as over-the-top as a play can be. With an operetta-like score, composed by Steven Lutvak, a book by Robert L. Freedman and lyrics by both gentlemen, this delightfully madcap musical is more fun than a day spent at Faulty Towers.

Permission to Start Over

The Roommate

A pair of very talented Chicago actresses absolutely own the stage in Citadel’s excellent continuation of their sixteenth season. Ellen Phelps and Laurie Carter Rose star in Jen Silverman’s two-hander about a couple of middle-age women, each from very different backgrounds, who are about to share a house together in Iowa City. Sharon, a 55-year-old divorced empty nester, decided that her roomy, two-story house is big enough for another inhabitant. After she placed an ad for a roommate, it was answered by Robyn, a woman about the same age, who’s decided to leave her Bronx home for the peace and quiet of rural Iowa. What evolves throughout this entertaining one-act is a powerful character study of two women who are each searching for a new beginning. 

Familiar Patterns

Between Riverside and Crazy – Redtwist Theatre

Humanity’s greatest strength is that we can adjust to anything. No matter how terrible a situation, we can almost always find a way to survive. Humanity’s greatest weakness is also that we can adjust to anything. Because we have learned to survive in even a terrible situation, we’ll stay there because the familiarity feels safe. Change, even it’s for the better, is terrifying. That pattern plays itself out several times with several people in Redtwist’s new production of Between Riverside and Crazy, the 2015 Pulitzer Prize winning play.

Credit Where Credit is Due

Photograph 51 – Court Theatre

In 1953, James Watson and Francis Crick published a model for the DNA molecule that would eventually net them and a third collaborator a Nobel Prize. Largely unknown for several decades after that accomplishment is that a large piece of the research that their model built on was done by a British scientist named Rosalind Franklin and the painstaking x-ray photography work she had refined. Court Theatre’s new production of Photograph 51 is the dramatization of Franklin’s work.

In the Blood

In the Blood – Red Tape Theater

In the Blood is a loose adaptation of Nathaniel Hawthorne’s The Scarlet Letter by Suzan-Lori Parks. It premiered in New York in 1999. Like the novel, the play focuses on a woman named Hester who is punished by a hypocritical society for bearing children out of wedlock.

A Lesbian Love Story

I Know My Own Heart – Pride Films & Plays

At the age of 50, Irish-born Canadian novelist, short story writer, screenwriter and playwright Emma Donoghue is finally having her first theatrical drama premiered in the United States. Ms. Donoghue’s name may be familiar to some theatergoers as the author of the novel, and subsequent Oscar-nominated screenplay, for Room. She’s a prolific writer of various genres, whose works often explore the sometimes unnamed, hidden love between gay women. In this play, Donoghue was inspired by the secret coded diaries of early nineteenth century gentlewoman, Anne Lister.

You’re Invited

Southern Gothic – Windy City Playhouse

I went to the worst party I’ve ever attended last night. The caterer got in an accident, so we were left with Spam and crackers for food. Absent food, everyone hit the bar a little earlier and a little harder than they probably should have. And, of course, the night spawned more than one screaming argument.

I had a ball.

Great Balls of Fire

Million Dollar Quartet – Marriot Theatre

Inspired by a true story, and under the splashy and spectacular direction of James Moye, a slice of rock and roll history has been brought to life in the Marriott Theatre’s brilliant 2019 season opener. This joyful and infectiously likable show will introduce a lot of great music to younger audiences, but it’ll be a fond trip down memory lane for many other theatergoers. It’s chock full of nearly two dozen popular rock and roll and country-western hits. Based on an actual, previously little-known event from the archives of recording history, Colin Escott and Floyd Mutrux created this little jukebox musical that has, since its 2006 Florida premier, taken on a whole life of its own.