Chicago Theatre Review
Two Plays in One
The Winter’s Tale – Goodman Theatre
When published in the 1623 First Folio, William Shakespeare’s five-act play was grouped with his comedies. Later, however, this “problem play,” as it’s been called, has been lumped with the Bard’s later romances, along with “Cymbeline,” “Pericles” and “The Tempest.” The problem comes from the perception that the play appears to be two plays in one. The first half, at least in Robert Falls’ adaptation, is so dramatic that it seems like a powerful tragedy. Then, just as the first act comes to a close, and continuing into the second act, we’re suddenly transported to a pastoral setting. Whereas Act I was cold, darkly lit and costumed primarily in black and charcoal gray; Act II is joyful, almost bawdy and filled with confetti and bright colors. Then, lest the theatergoer settles into this orgy Dionysian revelry, the script returns to the darkness for an ending that is both redemptive and as happy as can be expected.
Read MoreGolddiggers Afloat
Dames at Sea – Theatre at the Center
Check your cares at the door and settle in for a fast-paced couple of hours of unbridled bliss. This most magically perfect, divinely flashy and old-fashioned of musical comedies, a show that few audiences have even heard of, has set sail in Munster. It’s the perfect show to usher in the Spring. Filled with jubilant songs, energetic choreography and exhilarating, endearing performances, this Valentine to those Busby Berkeley-style musical extravaganzas of the 1930’s is the consummate mindless entertainment that we all could use right now.
Read MoreWe Should Totally Hang Out Sometime
Amicable – Theatre Above the Law
Amicable, Theatre Above the Law’s final show for its third season, finds a group of six people on a Metra train. Each seems to coincidentally know or have met one or two of the other people on the train. One pair of friends or one pair of exes running into each other on their morning commute is a common coincidence. But every person on this train making one of these connections, sometimes more than one? Something strange is going on here…
Read MoreNot Ready for Prime Time
August Rush – Paramount Theatre
There’s no denying that John Doyle is a gifted genius. The Artistic Director of Classic Stage Company in New York City, Doyle has won awards for his productions of beautiful “Passion,” “Carmen Jones” and “The Visit.” He’s primarily known for his much-acclaimed, pared down productions of “Sweeney Todd” and “Company,” where, in addition to acting, singing and dancing, the reduced cast also provided all the musical accompaniment. His latest production, adapted from a popular 2007 film of the same name, is now enjoying a pre-Broadway tryout at the Paramount Theatre in Aurora. With mixed results, Doyle has simplified the story and amped up the musical component.
Read MoreCataclysm in a Cottage By the Sea
The Children – Steppenwolf Theatre
Set in a run-down cottage by the sea, somewhere on the eastern coast of England, over and above the soothing sound of waves and seagulls there’s a strong sense of foreboding. The end of the world has begun, thanks to mankind’s selfishness and refusal to face facts. Lucy Kirkwood’s one-act drama, which is laced with dark humor and even an unexpected dance number, deals with the effects of cataclysmic climate change, cancer, nuclear science, morality and self-sacrifice in the face of inescapable doom. In America, the current, bloodsucking Administration is more interested in squeezing profits out of an already wounded planet, rather than trying to control the environmental bleeding, before it’s too late. There’s no concern, as Ms. Kirkwood points out, that we’re leaving a home for our children that portends certain apocalypse.
Read MoreIn My Day…
The Undeniable Sound of Right Now – Raven Theatre
Kids today. With their haircuts and their music.
Read MoreTaking a Moment to Breathe
Too Heavy for Your Pocket – TimeLine Theatre
In the early moments of Jireh Breon Holder’s old-fashioned period drama, set in 1961 Nashville, one of the four characters, about whom we come to care deeply, emerges from the darkness to simply spread his arms and breathe. His name is Bowzie and it’s his story that fuels this drama and shapes the path of Holder’s other characters. But in those first few minutes, and several times during the play, the two couples, who are best of friends, simply stop, step out of the story, and deeply inhale. These beautiful moments of solitude offer both the characters and the theatergoer a few seconds to come together for reflection.
Read MoreThe Most Beautiful Sound I Ever Heard…
West Side Story – Lyric Opera
Back in the 1950’s when newspapers were just beginning to report tragic stories of teenage gangs and turf wars, a new show evolved from these events that would forever change the American Musical. Noteworthy, too, was that this new theatrical form resulted from a collaboration between artistic geniuses Arthur Laurents (book), Leonard Bernstein (score), Jerome Robbins (direction and choreography) and a new kid on the Broadway block named Stephen Sondheim (lyrics).
Loosely based on Shakespeare’s tragedy, “Romeo and Juliet,” the show was originally considered controversial. It was dark and edgy, characters fought and died and it didn’t have the traditional happy ending found in musical comedies of the day.
Razzle Dazzle Redux
Chicago – Broadway in Chicago
For a show that’s been around for almost four decades, Kander & Ebb’s Vaudevillian satire of the American justice system and, more specifically, of criminals emerging as celebrities, shows no signs of running out of steam. Indeed, the 1996 Broadway production (upon which this National Tour is based), sprang from a crowd-pleasing, well-reviewed NYC City Centers Encores! concert version, and set a record in 1997 for earning the most Tony Awards for a Broadway revival. It’s now the #1 Longest Running Musical, and is still playing in New York after over 7,000 performances. Productions of the show have broken attendance records all over the world and each National Tour proves more popular than the one before it.
Read MoreGoing Off Road
Mad Beat Hip & Gone – Promethean Theatre Ensemble
I have a confession to make. I have never read Jack Kerouac’s On the Road. It didn’t make it into a reading list in high school or college, and I think that’s the window for reading it. After that, it’s just never going to float to the top of my perpetually lengthy To Read list. Like Mark Twain once said, a classic is a book everyone wants to have read but no one wants to read.
Read MoreRECOMMENDED SITES
