Chicago Theatre Review
The Trill Of A Donizetti Beheading
The Three Queens – Lyric Opera of Chicago
Patrons of Lyric Opera enjoy world-class productions in a stunning atmosphere. The repertoire is chosen to excite the palate of both the aficionado and the uninitiated. The designers, directors, and conductors are working at the top of their game, and the singers are the best in the world. Interviews with Lyric’s returning stars always have one common denominator: They say that every time they return, they feel like they’re coming home. Our City of Big Shoulders is as cosmopolitan as any other, but we’re also blessed with that midwestern enthusiasm that causes us to spontaneously open our hearts to those who come into our kind of town and raise the level of art and culture.
Read MoreA Musical as Entertaining as the Dickens
A Christmas Carol – BrightSide Theatre
Charles Dickens’ famous 1854 cautionary novella about the old English miser who learns to love Christmas now has more variations than there are flavors of ice cream at Baskin-Robbins. However, for audiences who enjoy their Scrooge a little less serious and traditional, and with a bit more color and spectacle to spice up their holiday, this delightful musical version will certainly hit the spot.
Read MoreSecrets and Lies
The First Deep Breath – Victory Gardens
Twenty-first century Renaissance man, Lee Edward Colston II wears a great many hats. This native of Philadelphia is an actor, playwright, director, writing and acting coach and author. Incorporating the experiences from all of these jobs, Colston brings a wealth of personal knowledge and observations to his work. Mr. Colston’s latest full-length play is set in his hometown. It’s an epic length contemporary drama about an African-American family, each member harboring so many problems to overcome and secrets to be revealed that the story takes three hours and forty-five minutes to tell. The result is a mixture of jaw-dropping, overwhelming highs and lows, but one thing is certain: the audience is never bored.
Read MoreA Holiday Extravaganza With Heart
A Christmas Carol – Goodman Theatre
Can anyone believe that this is the 42nd production of a wonderful show that’s become a Goodman Theatre holiday tradition? And this story is, after all, what Christmas is all about. Chicagoans are so fortunate to have Mr. Scrooge back for another holiday season. This production is the Grandaddy of all holiday stories, and what every other presentation of “A Christmas Carol” aspires to be. And, as always, it is sensational! It’s eloquent, heartwarming and a feast for the eye, ear and soul. The themes from Charles Dickens’ novella, and the lesson he imparts, aren’t diluted by raucous musical numbers, cartoonish elfin characters or dancing turkey boys. This is the ultimate production of a beloved story, and it would certainly have made the Victorian author proud.
Read MoreAn Angel Gets His Wings
It’s a Wonderful Life: Live in Chicago! – American Blues Theatre
What’s undoubtedly the most popular, best-loved holiday movie of all time? Well, here’s a hint: The name George Bailey has become synonymous with Christmas since Frank Capra’s holiday classic first began airing on television during the 1980’s. Based upon “The Greatest Gift,” a short story privately published in 1945 by Philip Van Doren Stern, this captivating tale of a man who sacrifices all of his own dreams to help his family and friends has now become a timeless classic. Most audiences will be familiar with the 1946 b&w film, which is just about as perfect as anyone can expect, but American Blue Theater’s version takes this classic one step further, especially in this polished, eighteenth anniversary remounting.
Read MoreA Tale as Old as Time
Disney’s Beauty and the Beast – Paramount Theatre
Alex, I’ll take Disney on Stage for $200.The answer is, “This was the very first Disney animated feature film to transfer to the stage.”The correct question is, “What is ‘Beauty and the Beast’?”
Read MorePractically Perfect in Every Way
Mary Poppins – Drury Lane
Since the first National Tour played in Chicago, the Windy City has enjoyed a number of productions of Disney and Cameron Mackintosh’s “Mary Poppins.” Each one has been unique, exceptional and magical in its own way. Now Drury Lane Theatre is presenting another one-of-a-kind production of this theatrical “Spoonful of Sugar,” a show that’s become a classic suitable for the entire family and an absolute treat that’s “Practically Perfect” in every way.
Read MoreHow Great Thou Art
Always… Patsy Cline – Firebrand Theatre
It’s hard to believe that this is the third season for Firebrand Theatre, the self-professed “first musical theatre company committed to employing and empowering women, by expanding opportunities on and off the stage.” In this company’s admirable mission to reimagine the classics, while also producing unknown or forgotten jewels of the theatre, Firebrand is also commissioning exciting, new works to premiere in Chicago.
Read MoreA South African Musical Myth
Lindiwe – Steppenwolf Theatre
Ever since Paul Simon’s much loved and greatly lauded “Graceland,” a record album, released in 1986, the South African musical group, Ladysmith Black Mambazo has been enjoyed by thousands of fans. Their velvety harmonics, gentle rhythmic choreography and a cappella performances are, ironically, both stimulating and soothing to the ear. The group has recorded over seventy albums and has earned five Grammy Awards. Called “South Africa’s Ambassadors to the World” by Nelson Mandela, this wonderful group of nine singers have a gorgeous sound that’s unmistakable.
Read MoreA Rediscovered Dramatic Gem
Rutherford and Son – TimeLine Theatre
Male chauvinism isn’t a new attitude. It has, unfortunately, been around everywhere for centuries. And still, despite a great deal of resistance and all manner of women’s movements and protestations, it’s still with us. Examples of male dominance are prevalent in the literary world, especially when it was revealed that, in the past, most female authors were forced to write under a male pseudonym in order to have their works published. Even when a woman managed to publish her writing under her own name, it was often dismissed and not taken seriously.
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