Chicago Theatre Review
Trivial Pursuit With Sister
Are You Smarter Than Your 8th Grade Nun? – Nuns4Fun
If you climb the stairs (or take the elevator) up to the second floor of the Greenhouse Theater Center, you’ll find a parochial school classroom, circa 1961. It’s tucked away inside the most intimate of the Center’s four theater spaces. Walking into the venue it’s like a blast from the past for theatergoers of a certain age. There you’ll be greeted by the nun who’s going to be your teacher and guide for the evening’s 90 minutes of Trivial Pursuit with Sister. And it’s “more fun than a frog in a glass of milk.”
Read MoreA Red Ryder Carbine Action BB Gun
A Christmas Story: The Musical – Marriott Theatre
Transporting Chicagoland audiences back to the days following the Great Depression, when money was tight and everyone was struggling just to survive, a man wanders through hoards of frugal shoppers on a busy downtown street. As he passes a Salvation Army Santa with his bell and bucket, the man recalls one particular Christmas when he was nine years old, and the special gift he hoped to receive. Jean Shepherd then proceeds to walk down memory lane, reliving the events and dreams of his his youth.
Read MoreSnappy, Spirited and Saucy
Malapert Love – The Artistic Home
Paul Valery, a nearly forgotten Victorian poet, once wrote that “Love is being stupid together.” Well, Chicago actor, director and (now) playwright Siah Berlatsky has written a fast-paced comedy about several crazy characters all becoming idiots over love. This world premiere is a riff on the plays of Shakespeare and Moliere. It’s an anachronistic depiction of Elizabethan Spain, featuring nine comical and captivating characters who find themselves immeshed in searching for romance. But, as country singer Johnny Lee crooned, they’re all “lookin’ for love in all the wrong places,” which is what sparks the conflict in this high-camp, high-larious comedy.
Read MoreRace, Sexism and a Play for Power
Trouble in Mind – TimeLine Theatre
Add one more name to the growing list of notable, adept African-American playwrights from earlier decades whose words still resonate today. Alice Childress may be an unfamiliar name to most theatergoers, but she made her mark as an actress, a novelist and an important playwright during the late 1940’s through the 1980’s. Ms Childress was a founding member of the American Negro Theatre, where “Trouble in Mind” had its Off-Broadway debut in 1955. However, despite the play being a critical and audience success, when producers showed interest in a transfer to Broadway, Alice Childress refused to kowtow to their demands. They wanted her to tone down the play’s volatile final moments, in order to make the story more pleasant and enjoyable for a commercial production. Ironically, this is precisely the point of Childress’ play.
Read MoreDeeply Rooted Dance Theater 11.5.22 Performance at Auditorium Theatre
This powerhouse company is a magnificent display of soul stirring raw power and grace. Pure delight the moment the curtain lifts. Blending modern, classical, American, and African-American traditions in dance and storytelling, the artistry and beauty of performance is on full display.
Read MoreBatman Begins
The Mark of Kane – City Lit
Bob Kane is a struggling, but fervently focused artist. Driven to succeed, and inspired the popularity of Superman, this young guy is passionate and persistent about making his mark in the world of comic strips. Willing to do whatever it takes, Bob’s eye is definitely on the prize and his ultimate goal is to become rich and famous. Bob’s doting parents have always raved about his talent to the point that this young man is certain he’s going to succeed as an artist. Failure just isn’t an option.
Read MoreBlue Heaven at Black Ensemble Theater
The Black Ensemble Theater always provides joyful and satisfying performances with astounding talented performers. I personally love their work and as a blues lover, this 90-minute performance of legendary blues artists is a perfect showcase of four great blues legends.
Brought to life by a cast of incredibly talented artists, the performance showcases how these greats turn their personal pain into soulful artistry. As they await entrance to Heaven, in God’s private Blues Club, Howlin’ Wolf (Lyle Miller), Muddy Waters (Dwight Neal), Big Mama Thornton (Miciah Lathan), Stevie Ray Vaughan (Billy Rude) and B.B. King (Aaron Reese Boseman) delight you with some of the best blues tunes with Black Ensemble musicians Adam Sherrod, Oscar Brown Jr., Mark Miller and Myron Cherry.
The performer’s wigs, and even their facial expressions, make the players resemble the musicians they portray. Mannish Boy, Born Under a Bad Sign, Everyday I Have the Blues, There Must Be a Better World Somewhere, Pride and Joy – all the selected songs are just beautifully performed.
They have risen!
The autobiographical dialogue helps to understand the tortured artist effect which results in pure musical magic for these iconic blues artists. Even if you are not a typical blues fan, this show is just plain good music and phenomenal performance. 24 songs, great vocal range and guitar playing, all satisfy the soul.
Highly recommend!
Reviewed by Judy Nathan
Exploring Morality, Sex and Power
Measure for Measure – Chicago Shakespeare Theatre
In this colorful and spicy adaptation of Shakespeare’s 1604 comedy, transplanted to 1950’s Havana, Cuba, we find one of theater’s earliest dramatization of women being given a voice of rebellion. Shakespeare gave Kate the opportunity to rail against men in “The Taming of the Shrew.” But female protestation against a male-dominated world, in which men think they have the right to manipulate and control women, is an inequity that’s been going on for centuries. Of course, the current Me Too Movement is the recent need to call attention to the double standards that often take place between genders. It’s a problem that was, and continues to be, so blatant everywhere, particularly in the entertainment industry. In one of Shakespeare’s last comedies, often dubbed a “problem play,” he presents a story that explores morality, sex, power, and the double standards that are so often present in leadership.
Read MoreSimmering Below the Surface
Swing State – Goodman Theatre
Rebecca Gilman’s incredibly riveting new drama, currently enjoying its much lauded World Premiere at the Goodman Theatre, solidifies this writer as one of our finest American playwrights. And with her recent move to rural Wisconsin, Ms Gilman’s last three plays have, not so coincidentally, take place in America’s Dairyland. Like “Soups, Stews and Casseroles” and “Twilight Bowl,” both of which were produced during the pre-pandemic years by the Goodman Theatre, “Swing State” takes another deep look at the country’s heartland. Rebecca Gilman shows how today, through four of her most engrossing characters to date, an individual’s personal and political lives seem to be tightly woven together. In addition, Ms Gilman has used the Covid-19 quarantine as an important plot point in her new play.
Read MoreAfter the Plague There’s Darkness
The Locusts – The Gift Theatre
In the Book of Exodus, the seventh plague of Moses was locusts. God told Moses to stretch out his hand over the land of the heartless Pharaoh, and locusts would swallow up every crop and all the fruit of the trees in Egypt. Afterwards, when all had been destroyed, there was darkness. In this World Premiere, written by Jennifer Rumberger, Layla, the Vero Beach Police Chief, calls to mind this event of retribution from the Bible. She’s musing about the random destruction in her town, inflicted upon so many young girls and their families, and caused by an unknown serial killer. It’s an apt metaphor when describing the effects that this savage murderer has had on the small Florida coastal community.
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