Chicago Theatre Review
You Can Always Count on Me
City of Angels In Concert
Two stories play side-by-side in this 1990 Tony Award-winner for Best Musical, book and score. Cy Coleman and David Zippel’s sultry music and smart lyrics add so much to Larry Gelbart’s sassy homage to film noir motion pictures and Hollywood screenwriters of the 1940’s. The first story puts the spotlight on Stine, a popular author of detective stories who’s butting heads with a movie producer/director over artistic integrity; the second plot focuses on a private detective named Stone, the product of Stine’s imagination, and the character the author has created for his successful series of books. Both men share the same frustrating experiences with women, while being pushed around by a bunch of bullies, thugs and criminals. In Artistic Director Jeffrey Cass’ stellar concert staging, the real world meets the reel world. The result is a smart, exciting show that celebrates those wonderful B-movie film noirs from Hollywood’s Golden Era.
Read MoreThank You For Being a Pal
The Golden Gals Live!
With the Ball dropping and a New Year beginning, the 2023 theatre season kicks off at Mercury Theater Chicago with a brand new production. Most of the cast is also brand new to Chicago audiences, but the characters they play and the stories they share are old favorites to most every audience member. Anyone who’s a fan of the 1980’s television sitcom, “The Golden Girls,” now in syndication on cable and streaming on Hulu, will know Dorothy, Rose, Blanche and Sophia, the Golden Gals who are sharing a house in Miami, Florida. Faithful viewers will also recognize many of the familiar storylines, plot twists and bizarre complications that have been melded together in this fresh visit with the quartet of sassy, brassy senior citizens.
Read MoreA Wintry Wonderland of Delight
Irving Berlin’s White Christmas
Music Theater Works’ newest production is a holiday offering. The 2004 stage adaptation of the 1954 film classic, written by David Ives and Paul Blake, brings this season to a close. But, I’m thrilled to report that the noteworthy company is back again, in full force, with this beautiful, sparkling Christmas confection. MTW’s gorgeous production features a genuinely gifted cast of singer/dancers, plus the return of much-missed musical director and conductor, Roger Bingaman. His talented 18-member pit orchestra is gorgeous and richly full-sounding. Clayton Cross also returns once again to ply his creative talent, choreographing this old-fashioned musical with 1950’s flair and savoir-faire. This Christmas production is a warm, wonderful, old-fashioned family show that brims with both favorite performers and fresh, new faces, and dazzles the audience with colorful spectacle and heart.
Read MoreA Hard Candy Christmas
The Best Little Whorehouse in Texas
“Texas Has a Whorehouse In It, Lord have mercy on my soul!” Don’t try to get that catchy refrain out of your head after leaving this raucous, rousing country/western musical. It’s impossible to forget, much like Theo Ubique Theatre’s entire wonderful, effervescent, toe-tapping production. It’s simply delectable! The show is full of rowdy, provocative homespun humor, some haunting, heartbreaking ballads and several songs that inspire the audience to clap along. It also sports some bodacious, bawdy characters and lots of standout performances. All of this adds up to a grand evening of good, adult fun.
Read MorePeople Are Bitches
Bald Sisters
Every individual is the product of his or her family. There’s no escaping it. Each of us are the sum total of our background, our upbringing, our choices and all of our life experiences. This includes our culture, particularly if we’ve immigrated to the United States from another country. In Vichet Chum’s latest play, now enjoying its world premiere in Chicago, the audience is introduced to a Cambodian/American family, now living in Texas. In his 100 minute one-act, Chum presents an emotionally wrenching, yet unexpectedly hilarious, portrait of three women trying to deal with everything that life throws at them.
Read MoreYou Will Be Found
Dear Evan Hansen
By now, this angst-ridden musical is pretty well known, especially among younger aficionados. But for the few theatergoers who aren’t familiar with the story, Evan Hansen is a painfully shy high school senior who suffers from a host of personal problems. The young man has very few friends, is terribly insecure and suffers from a poor self image. Heidi, Evan’s single mother, works as a nurse’s aid while studying at night to become a paralegal. Somehow she finds the money to send her son to a therapist, on a weekly basis. Heidi has to work hard to provide for both herself and Evan, while strictly budgeting her money and the time she can spend with her son.
Read MoreA Magical Cirque Christmas
It’s beginning to look a lot like Christmas with the help of Magic Space Entertainment and the new Magical Cirque Christmas playing at the CIBC Theatre.
Read MoreThe Obligatory Holiday Special
The Golden Girls: The Lost Episodes
Thank you for being a friend! Not only is the familiar opening lyric of “The Golden Girls” theme song, it’s exactly how a certain reviewer felt while watching this brand-new, world premiere holiday installment of these long-running parodies. It was like returning home to reunite with my favorite granny, aunties and sisters. I mean, wasn’t it only yesterday that multitalented David Cerda, artistic director, actor and playwright extraordinaire, began presenting his bold, bawdy and beautifully produced pastiches of this beloved television sitcom? It sure feels that way and I’m so thankful and happy to experience yet another, much-welcome installment of Mr. Cerda’s audacious adult humor.
Read MoreNew Meaning for Today’s Holiday Season
Manual Cinema’s Christmas Carol
Manual Cinema first presented their unique, multimedia version of “A Christmas Carol” in 2020. It was a production that audiences paid-to-view on their computer screens, via Zoom. Two years ago, when the country was in the depths of a worldwide pandemic shutdown, all live theatrical productions were cancelled. This really put a damper on all our usual Christmas festivities. As a result, every social event and holiday gathering was prohibited.
Read MoreIf Music Be the Food of Love
Georgiana and Kitty: Christmas at Pemberley
In Shakespeare’s “Twelfth Night,” Orsino proclaims that “If music be the food of love, play on…” Lauren Gunderson and Margot Melcon might have been inspired by this quotation for their third, and reportedly final, installment of their Christmas at Pemberley trilogy. Music does, indeed, play an important role in this delightful, romantic story. As in each of their previous plays (“Miss Bennet” and “The Wickhams”) the two playwrights imagine a Christmastime in 1815 that follows the characters of Jane Austen’s classic novel, Pride and Prejudice. For fans of the English writer’s novels about romance and the lives of the late 18th century landed gentry, this latest world premiere will certainly enchant and entertain.
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