An Angel Gets His Wings

It’s a Wonderful Life: Live in Chicago! – American Blues Theatre

What’s undoubtedly the most popular, best-loved holiday movie of all time? Well, here’s a hint: The name George Bailey has become synonymous with Christmas since Frank Capra’s holiday classic first began airing on television during the 1980’s. Based upon “The Greatest Gift,” a short story privately published in 1945 by Philip Van Doren Stern, this captivating tale of a man who sacrifices all of his own dreams to help his family and friends has now become a timeless classic. Most audiences will be familiar with the 1946 b&w film, which is just about as perfect as anyone can expect, but American Blue Theater’s version takes this classic one step further, especially in this polished, eighteenth anniversary remounting.

A Tale as Old as Time

Disney’s Beauty and the Beast – Paramount Theatre

Alex, I’ll take Disney on Stage for $200.The answer is, “This was the very first Disney animated feature film to transfer to the stage.”The correct question is, “What is ‘Beauty and the Beast’?”

Practically Perfect in Every Way

Mary Poppins – Drury Lane

Since the first National Tour played in Chicago, the Windy City has enjoyed a number of productions of Disney and Cameron Mackintosh’s “Mary Poppins.” Each one has been unique, exceptional and magical in its own way. Now Drury Lane Theatre is presenting another one-of-a-kind production of this theatrical “Spoonful of Sugar,” a show that’s become a classic suitable for the entire family and an absolute treat that’s “Practically Perfect” in every way.   

How Great Thou Art

Always… Patsy Cline – Firebrand Theatre

It’s hard to believe that this is the third season for Firebrand Theatre, the self-professed  “first musical theatre company committed to employing and empowering women, by expanding opportunities on and off the stage.” In this company’s admirable mission to reimagine the classics, while also  producing unknown or forgotten jewels of the theatre, Firebrand is also commissioning exciting, new works to premiere in Chicago.

A South African Musical Myth

Lindiwe – Steppenwolf Theatre

Ever since Paul Simon’s much loved and greatly lauded “Graceland,” a record album, released in 1986, the South African musical group, Ladysmith Black Mambazo has been enjoyed by thousands of fans. Their velvety harmonics, gentle rhythmic choreography and a cappella performances are, ironically, both stimulating and soothing to the ear. The group has recorded over seventy albums and has earned five Grammy Awards. Called “South Africa’s Ambassadors to the World” by Nelson Mandela, this wonderful group of nine singers have a gorgeous sound that’s unmistakable.

A Rediscovered Dramatic Gem

Rutherford and Son – TimeLine Theatre

Male chauvinism isn’t a new attitude. It has, unfortunately, been around everywhere for centuries. And still, despite a great deal of resistance and all manner of women’s movements and protestations, it’s still with us. Examples of male dominance are prevalent in the literary world, especially when it was revealed that, in the past, most female authors were forced to write under a male pseudonym in order to have their works published. Even when a woman managed to publish her writing under her own name, it was often dismissed and not taken seriously.

Upstairs/Downstairs

The Wickhams: Christmas at Pemberley – Northlight Theatre

Some may call this delightful, new holiday period play, co-written by Lauren Gunderson and Margot Melcon, a sequel to their popular “Miss Bennet: Christmas at Pemberley,” a wonderful, lighthearted holiday comic-drama that premiered at Northlight Theatre during their 2016-17 season. But it’s not really. It’s more of a companion piece, much in the same vein as Alan Ayckbourn’s trilogy, “The Norman Conquests.” Both depict the same main characters over the course of a couple of days, with each play set in a different part of the house. Like Ayckbourn’s trio of plays, Gunderson and Melcon’s two installments about the Bennets, inspired by Jane Austen’s romantic Regency Era classic, take place during the very same Christmas holiday. 

A Modern Twist on a Holiday Classic

The Nutcracker – The House Theatre

Ten years have passed since The House Theatre of Chicago first presented their original, contemporary version of E. T. A. Hoffman’s classic story, “The Nutcracker and the Mouse King.” Whenever theatergoers hear that iconic title, forever associated with Christmas, they envision fairies and a toy that comes to life to bravely battle a Mouse King to rescue a little girl named Clara. They imagine a dazzling spectacle, a lavishly-produced ballet, featuring dozens of lithe, magnificently skilled dancers. They picture lush, imaginative costumes and a story set in a magical fantasyland of snowflakes and flowers. 

“Why Torture is Wrong and the People Who Love Them” with Eclipse Theatre Company

To conclude their 2019 season of Christopher Durang’s work, Eclipse Theatre Company chose Why Torture is Wrong and the People Who Love Them, a political comedy that examined the line between jumping to conclusions and dormantly not checking what is hidden in the closet. Even though this text tended to ramble and meander more than Durang’s other works, it sharply poked and prodded our minds about whether the USA’s enemies lie in nations across the sea or in the behaviors of those we share a house and a name with. With direction by Steve Scott, Eclipse has again succeeded in delivering a comedy with relevant issues, presented in an accessible way.

Don Giovanni Returns to the Lyric

Don Giovanni – Lyric Opera of Chicago

The classic opera, last performed at the Lyric in their 2014/15 season, returns to Chicago this fall.