Chicago Theatre Review

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Not a Black or White Matter

December 9, 2024 Comments Off on Not a Black or White Matter

The Totality of All Things

Everyone should see this play because it’s filled with so many probing and controversial issues. It also says so much about the climate of this country today. THE TOTALITY OF ALL THINGS is the premiere production of Redtwist Theatre’s Twisted Playfest. It’s an important new work that sets the tone for the upcoming staged and stand readings of the original plays by Chicago writers, like Eric Gernand. 

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Ruth Page’s The Nutcracker Dances On

December 8, 2024 Comments Off on Ruth Page’s The Nutcracker Dances On

Ruth Page first choreographed The Nutcracker for a Chicago debut at the Arie Crown Theatre in 1965. It was performed every year after until 1997 – six years after the innovative ballerina and choreographer’s death. In 2003, The Ruth Page Center, a dance school for children, professionals, and everyone in between and founded in 1971, created a new production of highlights from Ruth Page’s beloved original full-length staging, and it has run every holiday season since.

This production of the Nutcracker is playing at several different Chicago area locations, leading to a pared down set – but the costumes are beautiful, and the dancing joyful.

The Nutcracker Ballet is based on the on the E.T.A. Hoffman fairy tale “The Nutcracker and the Mouse King” written in 1816. The Ballet debuted in St. Petersburg, Russia on December 17, 1892. The famous, classic, ageless music was composed by Peter Tchaikovsky, and originally choreographed by Marius Petipa.

The story opens at a family party on Christmas eve, at the home of Clara and her brother Fritz. Their mysterious, magician uncle Drosselmyer arrives, bringing wonderful, dancing dolls to amuse the children. Once the dolls are removed, Clara notices a wooden nutcracker in the form of a toy soldier that Drosselmyer had also brought, and that had been ignored by everyone. She takes an immediate liking to it, only to see her brother Fritz break it. Drosselmyer repairs it, and places it back under the Christmas tree. Later that night, after everyone has gone to bed, Clara sneaks down to check on her nutcracker. The grandfather clock strikes midnight and she looks up to see Drosselmeyer perched atop it. Suddenly, mice begin to fill the room and the Christmas tree begins to grow to dizzying heights. The nutcracker also grows to life size. Clara finds herself in the midst of a battle between an army of toy soldiers and the mice, led by their king. The Nutcracker and other toys battle the mice, and nearly lose, till Clara throws her shoe at the Mouse King, distracting him for long enough for the Nutcracker to kill him. The Nutcracker transforms into a human prince and invites Clara to his kingdom in thanks for her help.

In Act 2, the Prince and Clara travel to The Land of Sweets, ruled by the Sugar Plum Fairy. The Nutcracker recounts his adventures, and how Clara saved him. In honor of her courage, the Sugar Plum Fairy throws a dance party featuring sweets from around the world. At the end of the dancing, Clara is returned home.

The first act of this production of The Nutcracker came with a few surprises: Clara and her father are both speaking roles. There is also narration of the action as it takes place, perhaps so that children in the audience can follow along more easily. I did miss the more dance heavy, traditional Act 1, especially in the opening party scene, but the war with the Mice was still fun, the toy soldiers were played by some of the youngest dancers. They were tiny, yet valiant against the evil mice, and wholly adorable.

Appropriately, as the show moved on, the dancers grew older and more experienced. The Land of Snow brought guest ballerina Kyra Olson as the lovely Snow Queen accompanied by a powerful Bilal Shakur Smith.

The Second Act absolutely flew by, with short but overall delightful dances. Mother Ginger’s dance is always a crowd pleaser, with the children running around. The Coffee dance was brightly colored and comical – an unusual presentation but memorable. The Waltz of the Flowers was lovely, and the American Beauty Rose was danced beautifully by Kseniya Stetsenko.

The Grand Pas De Deux, featuring guests Adiarys Almeida as the Sugar Plum Fairy and Taras Domitro as the Cavalier was excellent. Domitro in particular soared across the stage with power and grace.

The 2024 production of “Ruth Page’s The Nutcracker ” features a cast curated from local and international dance artists. In keeping with Ms. Page’s emphasis on children’s involvement, additionally cast are students from Ruth Page School of Dance’s Professional Dance and Young Dancer Training Programs. Students from the Keystone Dance Academy that is Ruth Page School of Dance’s outreach program at Wentworth Elementary School on Chicago’s South Side are also eligible to audition and participate. The Keystone Dance Academy program engages students in the training and study of classical ballet, jazz, and choreography, with an additional emphasis on community building, mentorship and support.

If you love the Nutcracker, but don’t have the time, attention span or wallet for a full-length production, this sweet, joyful show is a great choice.

Recommended

Reviewed by Alina C. Hevia

The final weekend of performances is at the College of Lake County’s (CLC) James Lumber Center for the Performing Arts, 19351 W. Washington St. in Grayslake, Saturday, Dec. 21 at 1 and 5 p.m. and Sunday, Dec. 22 at 1 p.m. Tickets, ranging from $15 to $65 (depending on venue), are on sale now and can be purchased by visiting www.RuthPage.org. 

Additional information about this and other area productions can be found by visiting www.theatreinchicago.com.


Painting With Her Pen

December 8, 2024 Comments Off on Painting With Her Pen

Little Women

Louisa May Alcott wrote what she knew. That was the advice her publisher offered and so the young author painted pictures with her pen and turned her family life during the 19th century into one the most beloved of all American classics. And Lauren Gunderson’s beautiful new version of Alcott’s autobiographical novel is a story we need today. Although there have been dozens of theatrical and film versions, the story continues to speak strongly to audiences, especially to 21st century Americans. It portrays a very loving, tight-knit, resilient family who are trying, against all odds, to survive. The four sisters and their mother endure poor economic conditions, illness, romantic complications and a host of trials and tribulations that many of us still face today, especially at the holidays. The play may be set in New England during the mid-1800’s, but it’s universal. It’s a story about people who truly care for each other, and it carries a message that still rings true today.

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What If…

December 5, 2024 Comments Off on What If…

& Juliet

Life is full of what if’s, especially at this time of year. What if my Amazon package doesn’t arrive in time? What if I can’t get all my cookies baked in time for the party? What if the weather prevents me from spending the holidays with my family? And in the theatre, there’s been a recent rash of plays and musicals in which writers have reimagined alternative situations for familiar stories. What if, in Homer’s The Odyssey, Penelope had a more prominent and feminist role? The Goodman’s recent production of THE PENELOPIAD explores that premise. In another strong feminist treatment of a classic, the musical’s playwright and composer imagined what if the Wicked Witch and Glinda the Good were actually best friends? That’s the basis for the highly popular show, WICKED. This trend in writers thinking outside the box continues in a brilliant new coming-of-age jukebox musical, currently in Chicago for only two weeks. Treat yourself to a holiday gift and do whatever you can to see this show. You’ll be so glad you did.

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No Man’s a Failure Who Has Friends

December 2, 2024 Comments Off on No Man’s a Failure Who Has Friends

It’s a Wonderful Life: A Live Radio Play

The beautiful new American Blues Theater venue is once again decked out in sparkling, colorful holiday decor. All the typical ornamentation, such as Christmas trees, wreaths, menorahs and candles fill both the stage and lobby, bringing a cornucopia of cheer to those who celebrate Christmas, Hanukkah and Kwanzaa. But it’s really what happens inside the theater that’s always so special.

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Wear Your Tiara and Glass Slippers

December 1, 2024 Comments Off on Wear Your Tiara and Glass Slippers

Rodgers & Hammerstein’s Cinderella

Charles Perrault’s 17th century fairy tale is everyone’s favorite princess story. The French folktale has been adapted into every culture with its own version of the poor, put-upon young girl who rises above her miserable situation to win the hand of the handsome prince. American Composers Rodgers & Hammerstein understood the universal charm of this beloved story. In 1957 the famous composers wrote a musical version for television that starred a young Julie Andrews in the title role. The popularity of this production prompted other televised incarnations, as well as the current full stage version. Marriott’s Lincolnshire Theatre for Young Audiences has mounted a beautiful, professionally produced 60-minute adaptation of the musical that’s just as funny, magical and heartwarming as the full-length production.

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The Grandaddy of Holiday Stories

November 26, 2024 Comments Off on The Grandaddy of Holiday Stories

A Christmas Carol

There’s an old saying that everything old is new again, and that crossed my mind after attending the opening of this year’s holiday offering  at the Goodman. I also thought to myself, how do they continually do it? After 47 years of excellent productions of this humorous and heartbreaking holiday classic, I thought I knew this play. But each year this theatre surprises me with exciting new surprises that make their production feel fresh, different and even more extraordinary than the previous year. So, once again, this new production is everything anyone could desire in A CHRISTMAS CAROL. It’s what Christmas is all about, and Chicago is so lucky to have it back for another holiday season. 

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Hitting All the High Notes

November 24, 2024 Comments Off on Hitting All the High Notes

Falsettos

You may want to take a deep hit of oxygen before the manic opening musical number of this show. Why? Well, the clever patter song that introduces the main characters hits all the high notes, and might leave you breathless, with its lightning-paced lyrics and waves of emotion. And that’s just in Act I. Then, get ready for the racing roller coaster ride that’s Act II. This show packs more concerning the human condition into its first hour than in any play in recent memory. It’s peopled with seven realistic, multilayered characters who (like many of us) are continually dissatisfied with their lives for various reasons. The musical is tightly packed with 37 songs, a number of finely choreographed interludes, a countless subtle scenic changes and a tsunami of emotions.

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It’s My Thing!

November 24, 2024 Comments Off on It’s My Thing!

Don’t Let the Pigeon Drive the Bus

Who’s the writer that, in 2003, the New York Times Book Review called “the biggest new talent to emerge thus far”? Why none other than children’s author Mo Willems. The native of Des Plaines, IL has a huge following. Just ask any children’s librarian or schoolteacher, or visit the children’s department of your favorite bookstore. They’ll confirm this fact. The preschool-through-third grade set simply adore Willems’ funny and often fact-filled stories, and they know all his many books and characters by heart. Mo Willems’ works include several much-loved series of books, including the Knuffle Bunny series, the Elephant and Piggie series, the Cat series, and a whole lot of additional standalone titles.

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Blooming With Love

November 23, 2024 Comments Off on Blooming With Love

The Secret Garden

This magical musical story, adapted from Frances Hodgson Burnett’s children’s classic, warms the heart of everyone who experiences it. It’s a Gothic ghost story that absolutely blooms with love. And Theo Ubique’s production of this beloved musical, a show not seen in Chicagoland in many years, illustrates its timelessness. Not only was THE SECRET GARDEN a popular and critical success in its Broadway premier, playing over 700 performances back in 1991, but every touring, regional and amateur production of it is a guaranteed hit.

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