Chicago Theatre Review

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Prejudice Without the Pride

April 11, 2014 Comments Off on Prejudice Without the Pride

Our Class – Remy Bumppo

History, as they say, often repeats itself. We are meant to learn from the past. For example, the world recoiled in horror once it discovered the

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Turning Back the Covers

April 9, 2014 Comments Off on Turning Back the Covers

Songs From an Unmade Bed – Pride Film and Plays

Set in a tiny subterranean performance space that’s about as big as a bedroom, two young men, ably accompanied by musical director Robert

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Love with a Twist

April 7, 2014 Comments Off on Love with a Twist

Tristan & Yseult

As audiences arrive for this unexpectedly quirky, magically charged production they are given a balloon to inflate and release during the play’s

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Primal Screams

March 11, 2014 Comments Off on Primal Screams

The Wild

As the opening production of Steppenwolf’s fifth annual Garage Rep, this movement-based theatrical group presents a performance piece created entirely by its eight-member ensemble and directed by Thom Pasculli, inspired by the myth of Dionysus and featuring text by prolific playwright Charles L. Mee

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A Dickensian Delight at Lifeline Theatre

March 7, 2014 Comments Off on A Dickensian Delight at Lifeline Theatre

Lifeline Theatre – A Tale of Two Cities

Lifeline Theatre’s “A Tale of Two Cities” is a suspenseful and emotional journey to the past.

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Book ‘Em, Michaels

March 2, 2014 Comments Off on Book ‘Em, Michaels

Corpus Delicti – Madkap Productions

Sometimes a play reads well on the page, offering just the right amount of drama and social commentary. Then, when it’s on its feet in an actual, full-scale production, its shortcomings become evident and sometimes outweigh its positive qualities. Such is the case with the staging of David Alex’s latest script. The prolific playwright has written many successful plays and this new thriller does show promise.

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Broadway in Chicago: All That Jazz and Then Some

February 27, 2014 Comments Off on Broadway in Chicago: All That Jazz and Then Some

Chicago


For a show that’s been around for almost four decades, Kander & Ebb’s Vaudevillian satire of the justice system and, more specifically, criminals as celebrities shows no signs of running out of steam.

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Goodman Theatre: Gentrified and Jumpy

February 20, 2014 Comments Off on Goodman Theatre: Gentrified and Jumpy

Buzzer – Goodman Theatre


With a black president serving his second term in the White House, America may have grown up a bit with regard to its long history of racial problems and prejudice, but playwright Tracey Scott Wilson, in her latest play, argues that we still have a long, long way to go toward maturity. Racial acceptance is still more of a myth than a reality in America.

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BoHo Theatre: Musical Menace and Mythology

February 19, 2014 Comments Off on BoHo Theatre: Musical Menace and Mythology

Sparked by the rumors and stories surrounding the life and death of Wolfgang Amadeus Mozart, prolific playwright Peter Shaffer (Royal Hunt of the Sun, Black Comedy, Lettice and Lovage) followed up his West End and Broadway hit “Equus” with this historically based murder mystery.

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Never Having to Say You’re Sorry

February 18, 2014 Comments Off on Never Having to Say You’re Sorry

Love Story, the Musical

get-attachment.aspx(4)Sometimes it seems as if every successful movie that has ever been enjoyed on the silver screen has, is or will soon be adapted into a stage musical. It feels like all the writers of original theatrical libretti have either given up, left town or just decided to take the easy way out. There’s nothing (or very little) that’s new these days and it’s become so disappointing. If turning a movie into a musical doesn’t bring something new to the story, why bother?

Erich Segal’s best-selling romance novel, coincidentally released exactly 44 years to the date of Jedlicka’s opening night, became a much-loved film, as well. In fact, it was the highest grossing film of 1970 and spawned a film genre called the “chick flick.” For baby boomers the story is nostalgic; for modern audiences the story may be maudlin and its most quoted line, “Love means never having to say you’re sorry,” is often mocked today.

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