Reviews Category
Prejudice Without the Pride
Our Class – Remy Bumppo
History, as they say, often repeats itself. We are meant to learn from the past. For example, the world recoiled in horror once it discovered the
Read MoreTurning Back the Covers
Songs From an Unmade Bed – Pride Film and Plays
Set in a tiny subterranean performance space that’s about as big as a bedroom, two young men, ably accompanied by musical director Robert
Read MoreLove with a Twist
Tristan & Yseult
As audiences arrive for this unexpectedly quirky, magically charged production they are given a balloon to inflate and release during the play’s
Read MorePrimal Screams
The Wild
As the opening production of Steppenwolf’s fifth annual Garage Rep, this movement-based theatrical group presents a performance piece created entirely by its eight-member ensemble and directed by Thom Pasculli, inspired by the myth of Dionysus and featuring text by prolific playwright Charles L. Mee
Read MoreA Dickensian Delight at Lifeline Theatre
Lifeline Theatre – A Tale of Two Cities
Lifeline Theatre’s “A Tale of Two Cities” is a suspenseful and emotional journey to the past.
Read MoreBook ‘Em, Michaels
Corpus Delicti – Madkap Productions
Sometimes a play reads well on the page, offering just the right amount of drama and social commentary. Then, when it’s on its feet in an actual, full-scale production, its shortcomings become evident and sometimes outweigh its positive qualities. Such is the case with the staging of David Alex’s latest script. The prolific playwright has written many successful plays and this new thriller does show promise.
Read MoreBroadway in Chicago: All That Jazz and Then Some
Chicago
For a show that’s been around for almost four decades, Kander & Ebb’s Vaudevillian satire of the justice system and, more specifically, criminals as celebrities shows no signs of running out of steam.
Goodman Theatre: Gentrified and Jumpy
Buzzer – Goodman Theatre
With a black president serving his second term in the White House, America may have grown up a bit with regard to its long history of racial problems and prejudice, but playwright Tracey Scott Wilson, in her latest play, argues that we still have a long, long way to go toward maturity. Racial acceptance is still more of a myth than a reality in America.
BoHo Theatre: Musical Menace and Mythology
Sparked by the rumors and stories surrounding the life and death of Wolfgang Amadeus Mozart, prolific playwright Peter Shaffer (Royal Hunt of the Sun, Black Comedy, Lettice and Lovage) followed up his West End and Broadway hit “Equus” with this historically based murder mystery.
Read MoreNever Having to Say You’re Sorry
Love Story, the Musical
Sometimes it seems as if every successful movie that has ever been enjoyed on the silver screen has, is or will soon be adapted into a stage musical. It feels like all the writers of original theatrical libretti have either given up, left town or just decided to take the easy way out. There’s nothing (or very little) that’s new these days and it’s become so disappointing. If turning a movie into a musical doesn’t bring something new to the story, why bother?
Erich Segal’s best-selling romance novel, coincidentally released exactly 44 years to the date of Jedlicka’s opening night, became a much-loved film, as well. In fact, it was the highest grossing film of 1970 and spawned a film genre called the “chick flick.” For baby boomers the story is nostalgic; for modern audiences the story may be maudlin and its most quoted line, “Love means never having to say you’re sorry,” is often mocked today.
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