News & Reviews Category
Ordinary People
Twilight Bowl – Goodman Theatre
Rebecca Gilman is a Chicago-based playwright who keeps close to her small town roots. She doesn’t write about lofty characters using elevated language. Her plays reflect the struggle of ordinary people who are trying to live the lives they want. Through such notable plays as “Luna Gale,” “Boy Gets Girl” and “Spinning Into Butter,” Ms. Gilman paints portraits of real folks, showing how, instead of being true to their own goals and aspirations, find themselves trying to meet everyone else’s expectations in life. This is the focus of her latest play, now enjoying its world premiere in Chicago.
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Mystery Most Foul
An Inspector Calls – Chicago Shakespeare Theatre
Following an elegant family dinner at Arthur and Sybil Birling’s comfortable home in northern England, the arrival of a mysterious man is announced. He claims to be police Inspector Goole who inexplicably shares with them the sad news that Eva Smith, a young working-class woman, has tragically committed suicide. No one at the family gathering, including young Gerald Croft, who has just officially proposed to Arthur’s daughter Sheila, nor Arthur’s son Eric, recognize the young woman’s name. It then begs the question: why is the inspector involving this family in the unfortunate incident?
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The Opera You Didn’t Know You Knew
La Traviata – Lyric Opera of Chicago
Before seeing the premiere of the Lyric’s new production of La Traviata at the Civic Opera House this weekend, I attended a preshow lecture about the history of the show. I learned that though it is now considered one of the finest operas ever written and a staple of many companies’ repertoires, it actually flopped on opening night amid composer Verdi’s battles with censors demanding edits and an opera house that wouldn’t cast the roles of its young lovers with actors who were…well…young. A couple of years later, some edits and better casting made the show the hit it has remained but, while I was listening to the lecture, I couldn’t help but think how hard it is to picture how classical works were received in their own time. They didn’t come into the world at stuffy or sophisticated pieces — they were the popular culture of their day, and inspired as much passion in their audiences as Hamilton or Dear Evan Hansen do in ours. Fortunately for this show, once the curtain went up the gap was easy to bridge.
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Almost
Requiem for a Heavyweight – The Artistic Home
Requiem for a Heavyweight started life as a television play in 1956 by a pre-Twilight Zone Rod Serling, starring Jack Palance as an aging boxer. It was adapted into a film in 1962 with Anthony Quinn. This week, it is adapted into a stage version at The Artistic Home. The story focuses on ‘Mountain’ McClintock, a heavyweight boxer who spent his career always almost, but never quite, winning the championship, and is now too injured to continue boxing, and his manager Maish. It is revealed in the opening scene that Maish bet against Mountain in his final fight to get the money he needed to buy the contract of a young up-and-comer, Mountain’s replacement. Seeking any work he can get, he meets Grace at an employment agency and begins a tentative friendship.
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The Music of Words
Ma Rainey’s Black Bottom – Writer’s Theatre
During the 1920’s, the blues, sung by topnotch black performers, became so popular that it crossed over into mainstream America. The recording industry helped bring African American music from Harlem into the homes of white families all over the nation. Singers like Bessie Smith and Ma Rainey became household names and, although there would be many more years of fighting for Civil Rights, the African American integration movement was, thankfully, about to begin.
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Black Lives Matter
Pipeline – Victory Gardens Theatre
In 90 short, uninterrupted minutes, playwright Dominique Morisseau lays out how the direct route from school to prison has become the American norm for young, black men. That is, if they’re not being gunned down by some trigger-happy police officer. This is the hopeless existence depicted by the playwright of such important dramas as “Sunset Baby,” “Skeleton Crew” and the upcoming musical, “Ain’t Too Proud—the Life and Times of the Temptations.” In director Cheryl Lynn Bruce’s new production, a topic the playwright explored in a solo documentary, “Notes From the Field,” is starkly played out upon Andrew Boyce’s sparse, flexible scenic design. It’s a theatrical environment that wisely offers more focus upon the characters than the setting.
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How Lucky You Are
Seussical – Marriott Theatre
Oh, my goodness! Just tell yourself, “How Lucky You Are,” Chicagoans, especially those with families of young children. With Spring lurking just beyond the next snowdrift, there seems to be dozens of pleasurable options wherever you look. But this exciting and entertaining production stands out as one of the most multicolored musical offerings around. Marriott’s 65-minute Broadway caliber extravaganza is actually an combination of eight Dr. Seuss classics cleverly rolled into one charming story. The show is filled with oodles of catchy, toe-tapping, pop/rock songs by talented Broadway composers, Stephen Flaherty and Lynn Ahrens (“Ragtime,” “Once on this Island,” “Rocky”), and featuring additional scripted material by Monty Python’s Eric Idle.
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Waving Through a Window
Dear Evan Hansen – Broadway in Chicago
When this intensely moving and very topical musical opened on Broadway three years ago, one of its strongest selling points was that it was completely original. Unlike almost every other show on the Great White Way, that’s based upon a popular movie or book, Steven Levenson’s book, and the music with lyrics by Benj Pasek and Justin Paul, was fresh and groundbreaking. This talented team had written a stunningly poignant play that truly spoke directly to today’s youth, the adult theater audiences of tomorrow. As the winner of six Tony Awards in 2017, including the coveted accolade of Best Musical, this astounding show, like “Hamilton,” continues to draw new theatergoers and play to sold-out audiences. Now Chicagoans have the opportunity to experience this affecting, heartbreaking musical for themselves.
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The Door Opens Again
A Doll’s House, Part 2 – Steppenwolf Theatre
In 1879, Norwegian playwright Henrik Ibsen wrote a play that would become one of his masterpieces and provide, for that time, a shocking evening at the theatre. In “A Doll’s House,” Nora Helmer, the leading character, ends the play, and her stifling, unfulfilled marriage, by walking out and slamming the front door. In doing so, Nora signaled that she was leaving behind her husband and children and starting out alone, on her own terms.
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Navigating Loneliness
Fulfillment Center – A Red Orchid Theatre
The lights rise on the loading dock of a mail order business that ships packages from its New Mexico facility to the rest of the country. Suzan, a former, semi-famous folk singer (“I had a couple of fans”), is interviewing for and trying to land a seasonal job with the company. She’s recently fled a failed relationship and has found temporary shelter at a nearby campground, while trying to earn enough money to repair her broken-down car. Suzan convinces Alex, the kindhearted, 20-something supervisor of the shipping firm, that she’s capable of handling the stressful, physically demanding work load, despite her age.
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