Scary Stories to Tell in the Dark

Three Stories Up – Theatre in the Dark

On a rainy afternoon in Vancouver, a local transit police officer comes home to find her husband, also a police officer, murdered. For reasons she can’t understand, the police department wants to dismiss it as a suicide. She starts down a dangerous path to her husband’s last case and the network of criminal informants he worked with. Many plays have tackled the noir mystery, but non in quite the way that Theatre in the Dark does. This show is staged in pitch black darkness.

A Modern Take On An Old Fairy Tale

The Other Cinderella – Black Ensemble Theatre

Born in the projects, an ill-treated young woman, nicknamed Cinderella by her selfish, cantankerous Stepmama and her two nasty, spoiled stepsisters, is part of the much-loved fairy tale that’s been a part of every culture since time began. This is Jackie Taylor’s contemporary version of the familiar fable, set in the contemporary, fictional African-American “Kingdom of Other,” which happens to be the title of the rousing, original pop/rock tune that both opens and closes this musical. The show is filled with lots of other catchy songs, written by the multitalented Ms. Tayler and Michael Ward, with additional contributions from Herman Wheatley, J. Wilson and A. Tucker.  

Women’s Right to Vote

The Suffrage Plays – Artemisia Theatre

Throughout history, theatre has served many purposes. The obvious benefit is to provide entertainment; but oftentimes a play will educate and a theatrical production may enlighten its audience. Such is Artemisia Theatre’s program of three one-act plays being presented under the collective title, “The Suffrage Plays.” These realist comedies, influenced by the works of of Henrik Ibsen, were written and presented between 1907 and 1914. They revealed the real issues behind the suffrage movement, including the double standards that women faced on a daily basis.

The Ghetto Scholar Explains It All For You

Latin History for Morons – Broadway in Chicago

In an almost two-hour, nonstop performance, the seemingly tireless ball of fire known as John Leguizamo, transforms himself into an instructor of American History—the REAL American History, as he puts it. In his one-man show, Leguizamo examines 3,000 years of Latino history in an attempt to educate us, along with his bullied, 8th grade son. Throughout his presentation, the actor/author informs, questions, challenges and sometimes humorously berates the audience, all the while taking us through centuries of virtually unknown or forgotten facts about scores of famous people and events. It’s a highly exciting and extremely entertaining educational experience that reminds theatergoers of the scope of this actor’s unlimited talent.

One Man’s Fight for the First Amendment

I’m Not a Comedian…I’m Lenny Bruce – Theatre 68

Talented playwright and actor Ronnie Marmo brings to Chicago his heartfelt tribute to the man he calls The Godfather of Comedy. The 90-minute one-act, once again directed here by Tony and Jeff Award-winner, Joe Mantegna, has already enjoyed a successful run Off-Broadway. Marmo’s loving, respectful portrait of this controversial standup comic, famous for his obscenity-laced routines during the 1950’s and 1960’s, both provokes laughter while it stirs the emotions. The reason is that Lenny Bruce always brought the real passion and pain of his personal life into his stage act.

“N” with The Greenhouse Theater Center and GLP Productions

The Greenhouse Theater Center and GLP Productions have paired up for the world premiere of N, a political drama by David Alex. Playing in The Greenhouse Theater Center’s Upstairs Studio, the production is directed by TaRon Patton. Labeled as a political drama, we can expand that label to include political, racial, economic, and philosophical drama. 

Their Fingers Do the Talking

You Are Happy – Red Theatre

Bridget is an attractive single woman who, by her own admission, truly enjoys her independence. But she’s not entirely alone, because she’s taken on the responsibility of managing the well-being and happiness of her younger brother, Jeremy. Walking down the aisles of her local supermarket, Bridget notices that most of the customers are couples, everyone shopping in pairs and complementing each other with their wants and needs. When Bridget returns home to her apartment she, once again, finds her brother Jeremy trying to commit suicide. The lonely young man is determined to either slit his wrists with her razor or hang himself in her closet. Tired of having to keep managing her brother’s psyche, Bridget decides to try to find him find some happiness with the perfect romantic match.

SUGAR IN OUR WOUNDS with First Floor Theater

First Floor Theater has presented the Chicago premiere of Sugar In Our Wounds by Donja R. Love. Directed by company member Mikael Burke, the piece is part of a trilogy by Love, looking at black love in pivotal moments in history. Sugar in Our Wounds is something that we all know and love, a romantic period piece, but also something that we seldom get: a queer, black, romantic period piece. 

Friendship and Family Affection Abounds

Lyle, Lyle, Crocodile – Lifeline Theatre

What would you do if you just moved into a charming Victorian brownstone, on New York’s fashionable Upper East Side, only to discover there’s a crocodile in the bathtub of your new home? Well, after the initial shock, the Primm family decides that Lyle is a wonderful addition to their clan. He plays stickball with their young son, Josh. He helps the boy with his homework and he enjoys assisting Mrs. Primm with her household tasks.

A Curious Volume of Forgotten Lore

Poe – Theatre Above the Law

Theatre Above the Law is celebrating Halloween by re-staging it’s adaptation of several Poe tales, set in a macabre cabaret.