Chicago Theatre Review

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Anyway…

February 1, 2025 No Comments

Mr. Parker

How do you move on after losing the one true love of your life? One night, seven months after his husband’s untimely death, Terry takes a big chance. He decides to leave the loneliness of his New York studio apartment and rejoin the human race. The studio is significant because it’s the workspace that he shared with Jeffrey, his beloved artist husband. A tragic car accident took Jeffrey’s life, leaving him in a coma, Terry had to make the difficult decision if and when to finally let Jeffrey go. 

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An Odd Couple

February 1, 2025 No Comments

The Heart Sellers

Luna spots Jane at the store while shopping for groceries. Both women have seen each other before, but have never actually spoken. So, feeling kind of lonely, Luna invites Jane to join her for dinner at the cramped studio apartment she shares with her husband, a doctor-in-training at the University. Luna tells Jane that, really, she’s not a weirdo. She just felt that Jane, a fellow Asian immigrant out shopping alone, might like to share Thanksgiving with someone. And, over the course of the next 90 minutes, a lovely friendship emerges.

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A Song Being Sung

January 26, 2025 No Comments

Avaaz

Avaaz isn’t the leading character in this new production. It is, however, the theme of Michael Shayan’s one-person play that’s making its Chicago debut as part of a National Tour. Avaaz means “Voice,” not only in Farsi but in several other Middle Eastern, European and Asian languages. Farsi is, of course, the official language of Iran, the homeland of Michael Shayan. In Farsi, Avaaz also means “a song being sung,” which is the feeling the audience experiences during this often funny, sometimes heartbreaking, one-act. AVAAZ is not simply an autobiographical play. It’s a presentation that represents a great many ideas. 

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The Essence of Hamlet

January 25, 2025 No Comments

Fat Ham

In case you haven’t heard of him, James Ijames is a much-accoladed and talented actor, director and, most notably, playwright. His written work is incredible, especially since he brings a delightfully unexpected element of magical realism to many of his plays. Chicago audiences enjoyed his surrealistic THE MOST SPECTACULARLY LAMENTABLE TRIAL OF MIZ MARTHA WASHINGTON at Steppenwolf Theatre. In his 2022 Pulitzer Prize-winning comedy, FAT HAM, now in a glorious production at the Goodman Theatre, Ijames has taken the essence of Shakespeare’s tragedy classic, HAMLET, and molded it into (believe it or not) a contemporary one-act comedy.

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Nice-Nice

January 19, 2025 No Comments

Jaja’s African Hair Braiding

Talk about a play being timely. Just as the news is reporting that following the inauguration of the new President, a sweeping mass National Deportation Plan is set to begin in Chicago, a dazzling and lively new play that focuses on a community of African immigrants is playing on Navy Pier. Jocelyn Bioh’s 2023 Broadway hit is part of a limited National Tour. The comic drama has just opened in the Windy City and, coincidentally, its plot points seem to be ripped from tomorrow’s headlines. Both the Mayor and the Governor of Illinois have promised that Chicago’s still a Sanctuary City and that immigrants will be protected. But the events that transpire in the final scene of JAJA’S AFRICAN HAIR BRAIDING will remind audiences of the prescience of Bioh’s play. Of course, the comic drama actually takes place in Harlem, New York back in 2019, during Trump’s first term. But with his re-election, the nightmare has returned for every immigrant who this new administration determines is “illegal.”

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A Musical Trip Back in Time

December 30, 2024 Comments Off on A Musical Trip Back in Time

Hitt Records

Daryl D. Brooks, the wonderful Black Ensemble Theater’s multitalented Producing Managing Director, has written a number of musicals for the company. Some have been okay, some very good and some, like his currently running musical revue, are superb. Also Directed by Mr. Brooks, his new show is entitled HITT RECORDS, and is both an educational and nostalgic musical trip back in time. 

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What You Want

December 22, 2024 Comments Off on What You Want

Legally Blonde

The jury has returned with a verdict and Music Theater Works closes their 2024 season with a hit. LEGALLY BLONDE is a joyful, contemporary twist on the always popular Cinderella story. This peerless and polished production, which would make a wonderful holiday gift (especially for fans of the Reese Witherspoon film, on which this musical is based) is a pure delight. It’s “What You Want” when it comes to a hilarious, highly spirited musical comedy that’s just plain fun. The show is also a celebration of Girl Power and promotes a positive message about perseverance, self-confidence and being true to who you are. In addition, the musical features some comical and unforgettable characters, a multitalented and hard-working ensemble, plenty of entertaining songs and lots of kinetic choreography. And, despite it’s two-and-a-half hour length, including an intermission, the time seems to fly by.

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Finding Her Roots

December 22, 2024 Comments Off on Finding Her Roots

The Berlin Diaries

With the popularity of  television shows like “Who Do You Think You Are” and “Finding Your Roots,” researching one’s genealogy has seen a recent rise in popularity. It seems like almost everyone is devoting their spare time to investigating their family history. Discovering descendants through online sources, such as ancestry.com., or poring through volumes of old census records in the library, help jumpstart one’s investigation of their family lines. Through birth, marriage and death records, military and immigration documents and newly discovered personal journals and diaries, a diligent individual can often discover more about members of their family tree.

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Being Different Isn’t a Crime

December 17, 2024 Comments Off on Being Different Isn’t a Crime

Rudolph the Red-Hosed Reindeer

This popular and joyful holiday musical, written by Hell in a Handbag’s multitalented Artistic Director, David Cerda, is a gender-bending Christmas entertainment that’s now in its 25th year. Baby Boomers will especially enjoy traveling back in time to relive the essence of this nostalgic 1964 stop-action cartoon classic. But while the basic plot and theme remains the same, Mr. Cerda has put a LGBT+ twist on the story and added some new topical and contemporary adult humor. Even the song lyrics have been updated for today’s audiences.

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Love + Chaos + Dinner = Magic  

December 12, 2024 Comments Off on Love + Chaos + Dinner = Magic  

*Extended through March 30, 2025!

Imagine the musical, Cabaret. Then, add in a little Cirque de Soliel, a dash of steam punk, a dollop of drag queen, a healthy handful of humor, and tie it all up with a satiny, sensual ribbon. If you can hold all those elements in your mind, you’ll have some idea of what it is like to spend an evening at Teatro ZinZanni.

Held on the 14th floor of the Cambria Hotel, entering the historic Belgian Spiegeltent, imported and installed by Broadway in Chicago, Randolph Entertainment and Teatro ZinZanni in 2019, is like entering another world. Spiegeltents, or “mirror tents,” as I learned from Teatro’s website, originated in the early 20th century in Holland. The tents acted as mobile palaces for dancing and other gatherings. Crafted of intricate woodwork and stained glass and detailed in velvet and brocade, each tent has its own personality and style. Only a hand-full of these unique and legendary ‘mirror tents’ are left today. Chicago’s import is called the “ZaZou” and it was built in 1910.

Teatro ZinZanni Chicago Spiegeltent Zazou. Photo by Alabastro Photography.

From the moment you enter the Cambria Hotel, the otherworldly experience created by the cast and crew of Teatro ZinZanni begins. We were directed to the elevator by a woman in red satin, and exited it into a beautiful lobby and bar. Upon entering the tent itself, I could almost hear the opening words of Cabaret, welcoming me and urging me to leave my troubles at the door. My companion and I had the dinner service, and a delightful, savory tart was awaiting us at our table. Cast members wandered about, speaking with guests, making jokes and creating little bits of entertainment for anyone around them.

The show itself is structured like an evening at a Cabaret, or Vaudevillian theater. The performers all take their turn showcasing their particular talents, to great and entertaining effect. The night began with vocal artist Cunio, whose powerful voice blends the range of Freddie Mercury and the raw power of Janis Joplin, putting on a “karaoke” bit with a few audience members. He kept things light, kind, and moving right along – till he introduced the second lead voice of the night, LiV Warfield, a woman with the vocal control of a ninja master – if ninjas sang. Rather than intimidate the audience with their stadium-sized voices, both Cunio and LiV Warfield created an inclusive, joyful experience that had the entire audience singing along.

Next up was original Seattle cast member and comedian Kevin Kent as Doily, Cocktail Waitress and Southern Belle, who fell in love with at least half the men in the audience and had the other half in stitches. Doily had the unique ability to titillate with kindness, to poke fun with love and compassion and usher us all into her playful, inuendo-filled reality.

The show also features several world-class circus artists.  Ukrainian born Vita Radioanova played Vanessa a nervous, excitable, flight attendant – who comes alive when she performs her Hula Hoop act. If you’ve ever wondered how many hula hoops one person can keep spinning, Vita would know. She turned the old backyard game into a work of art. Brazilian Capoeira artist Raphael Nepomuceno, played Chuck Rodrigo, a sexy and sweet fireman who also performed a breathtaking act on the straps, hanging from the ceiling above the diners. Argentinian Elayne Kramer, a 6th generation Circus Performer, played hapless Club Manager Marie, and absolutely stunned with her contortionist act. One of the many things I learned at Teatro ZinZanni is that everyone should witness someone who can shoot a bow and arrow with their feet.

The final big act of the night was Chicago’s own Duo Rose, (Sam Sion and Sylvia Friedman) an acrobat couple who performed an intimate, sensuous dance above all our heads. They were awesome in the traditional sense, in that their beauty, control, grace and strength inspired true awe, and even a tear or two.

The cast was supported by the excellent band, led by Chicagoan Theodis Rodgers, Jr. The wait staff was attentive and thoughtful. The night felt like a seamless escape into a world of old that only existed in our collective imagination, where everything is beautiful and maybe we can fly.

Interactive theater is a unique medium. For interactive performers, there is little to no time spent away from the audience. When they were not actively performing, each member of the cast was out in the audience, welcoming, teasing, laughing and flirting. I watched many of them create unique moments of comedy and connection with guests of every age and gender. It was a marvel to see and be a part of.

Even the menu was inclusive: there were Vegan, Vegetarian and Gluten Free options, and everything we sampled was tasty. Frankly, given the immersive experience and the four course meal, the ticket prices are about what you’d spend on a more traditional show, but without the good food and the captivating mirror tent. If you’re looking for an unforgettable night out and a reminder that the world is filled with magic, this is the show for you.

Highly Recommended

Reviewed by Alina C. Hevia

Teatro ZinZanni runs through March 30, 2025 on multiple dates. Performances take place on the 14th floor of the Cambria Hotel, 32 W. Randolph St. Show only tickets start at $84 and tickets including a four-course meal start at $124 and can be purchased online at ZinZanni.com/Chicago. Discounted group rates are available for parties of 10 or more.

Additional information about this and other area productions can be found by visiting www.theatreinchicago.com.