Author: Colin Douglas
Freedom of Thought
Inherit the Wind
Almost 100 years ago the famous Scopes “Monkey” Trial took place in rural Tennessee. The courtroom case charged John Scopes, a high school teacher, with the crime of violating a state law that prohibited the teaching of Darwin’s theory of evolution in the classroom. The publicity of the Scopes Trial was overwhelming. The event attracted so much national publicity, that it prompted dozens of reporters from all over the country to descend upon tiny Dayton, Tennessee. Then the Trial was broadcast on radio, which was a new invention in 1925. Chicago’s WGN transmitted the proceedings making it the first time the media had turned a trial into a national event. Suddenly history was being made.
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Sardines and Slamming Doors
Noises Off
Mrs. Clackett, the elderly housekeeper, reels off her lines in a concocted Cockney accent, and then begins her exit, all the while balancing a telephone, a newspaper and the ubiquitous plate of sardines. Suddenly she stops, turns to the audience and asks, “I take the sardines? No, I leave the sardines. No, I take the sardines…” Audiences who aren’t already familiar with British playwright Michael Frayn’s laugh-a-minute farce begin to wonder if the actress (played by the magnificent Ora Jones, portraying English actress Dotty Otley who’s playing Mrs. Clackett) seems to have lost her way. And indeed she has, but that’s just one of the gimmicks behind this play-within-a-play.
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Nothing Gold Can Stay
The Outsiders
A literary classic can be difficult to adapt from page to stage, but the late playwright, Christopher Sergel, spent most of his career translating popular novels into theatrical works of art. Known for his adaptations of such time-honored books as WINESBURG, OHIO, TO KILL A MOCKINGBIRD and THE OUTSIDERS, among many others, Sergel has gifted theater audiences by providing way to make a few select books come alive. Recently staged to great acclaim in Elgin, Illinois, Director Jonathan James has transferred his production to Chicago’s Athenaeum Theater, for a limited run.
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A Stiff Upper Lip
The Cottage
Actress and Playwright Sandy Rustin, originally from nearby Glenview but currently living in New York City, is known for her plays and musicals. Recently she adapted the film “Mystic Pizza” into a stage musical; but, in my opinion, her greatest theatrical work is her hilarious stage adaptation of the cult film, “Clue.” Opening their 2024-25 season, Citadel has scored a win by becoming the first theatre in Illinois to present Sandy Rustin’s THE COTTAGE. The comedy was recently produced on Broadway, directed by “Seinfeld” comic actor, Jason Alexander, and featuring the star of “Will and Grace,” Eric McCormack.
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Cry About It
Never Better
There are topics that were once considered taboo or simply inappropriate for the stage. But times have definitely changed. Subjects that might have shocked early 20th century audiences have become almost commonplace today. Seeing people being baked into pies, humorous Nazis in over-the-top production numbers, singing and dancing pussycats competing for an afterlife and young Mormons preaching Joseph Smith’s religion to Africans are examples of how musicals have come a long way. 21st century musicals are a far cry from shows about turning a Cockney flower girl into a princess, farmers challenging the cowhands in song and dance or teaching the Siamese King’s children.
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Love and Literature
Light Switch
In this, only my second visit to the secret gem that is the intimate Open Space Arts theatre, I once again became impressed with the consistent high quality of this company. I’m not just talking about the talented casting of their shows, although that’s a big part of my admiration for this theatre. It’s also about the excellence of the scripts, the consistency of the direction and this company’s ability to present captivating productions in such a modest setting. The venue, which can become stuffy, is about the size of small studio apartment. Add to this a couple of annoying pillars that become challenging for both the actors and the audience. But the sparse scenic design for each production always works around these problems and provides just the right suggestion of locale to make each play work.
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The Horrors of War
Henry V
In a limited, four-week run, Chicago Shakespeare Theatre has revived and reimagined one of the Bard’s most popular history dramas. The company’s sensational new, eloquent and rousing production is as stirring as ever. For theatre scholars, this is William Shakespeare’s final chapter in his tetralogy of historical dramas, which includes “RICHARD II and “HENRY IV,” Parts one and two. It’s also noteworthy in that this play was the company’s premier production on the rooftop of Lincoln Park’s Red Lion Pub, back in 1986. Naturally, time has brought changes to one of Chicago’s finest professional theatrical companies, but the Theatre’s ability to share the dramatic power of Shakespeare has only become stronger.
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Wherever I Go, I Carry Your Glance
The Flying Lovers of Vitebsk
There are a number of excellent plays and musicals in Chicago right now that examine the nature of art and look at the forces that inspire an artist to create. Well, add to that list playwright Daniel Jamieson’s gorgeous 85-minute play-with-music, now being given a lush production by Northlight Theatre. This is a breathtaking, lyrical biographical sketch of painter Marc Chagall and the love of his life, Bella Rosenfeld.
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Standing Up For the Little Guy
Royko: The Toughest Man in Chicago
Mike Royko is a name known by anyone who grew in or around Chicago between the mid-1950’s into the late 1990’s. His name is synonymous with uncompromising journalism. Although he sadly left us in 1997, Mr. Royko is remembered today for being a tough and prolific reporter, a humorist and a man who always stood up for the little guy. Mike Royko was also a Pulitzer Prize-winner for Commentary, as the famed columnist for the Chicago Daily News. In this informative, very funny and sometimes poignant one-man performance, written and presented by Mitchell Bisschop, audiences will get to know the fellow called “The Toughest Man in Chicago.”
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A Tribute to a Great Leader
The Audience
Back in the 1980’s, British TV sported a popular political situation comedy. This hit show was titled “Yes, Prime Minister.” Set within the private offices of Jim Hacker, a fictional British cabinet member working at the made-up Department of Administrative Affairs, the show satirized the inner workings of the government. But another, more seriously biographical work of art would eventually come along that would examine the relationship between the Monarchy and several of Britain’s actual Prime Ministers.
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