You Can Chris-My-Ass-Miss!

Q Brothers Christmas Carol – Chicago Shakespeare Theatre

Yay, hooray! It’s back once again at Chicago Shakespeare’s Yard Theater. This dynamic, mega-popular, high spirited and endlessly creative retelling of the Charles Dickens classic makes for an animated reopening of the venue and a welcome to the holiday season. This zippy one-act, written by the Q Brothers Collective, displays so much creativity and sheer energy, coupled with its finesse and fleetness of presentation, presents a constant source of abundant entertainment. The cleverness of the script and songs, makes for a joyful evening at the theatre. While the show might be aimed at younger theatergoers, savvy audiences of all ages will delight in the imaginative retelling of a familiar story.

First published in 1843, Charles Dickens’ beloved holiday novella has become a classic, as immortal as the Ghost of Jacob Marley. Influenced by the author’s own childhood, this popular story appeared at a time when Londoners were rediscovering old holiday traditions, as well as new customs, such as decorating a Christmas tree. Following an eye-opening visit to a school for poor British orphans, while continually being faced by the wealthy 1%, who only cared about how to become richer, Dickens was moved to write this cautionary tale as a response to the current callousness. 
Not surprisingly, what was true back in Victorian London still haunts us now. The shrewd theatergoer will recognize a raft of Scrooge’s odious traits in some of today’s politicians and their kiss-up cronies. It makes this contemporary retelling of Dickens’ holiday classic even more pertinent. In the hands of these five clever, creative artists, “A Christmas Carol” has never looked or sounded more meaningful, contemporary-sounding or timely.

There are probably as many holiday productions glittering around the Chicago theatre scene as there are chestnuts roasting on an open fire; and at least a dozen or more of these shows are variations of Charles Dickens’ tale. The Victorian author might be surprised and a little proud at how his story about one curmudgeon’s redemption has been adapted for every form of media. But this production by The Q Brothers, back by popular demand at Chicago Shakespeare Theater, has fast become one of the Windy City’s favorite holiday events, especially among younger, hipper audiences. And it’s a terrific, cleverly-written and utterly captivating piece of theatre that deserves all the high praise it’s received.

Developed primarily by two siblings, who go by the professional names GQ and JQ, this updated holiday musical is another collaboration with Chicago Shakespeare Theater. Their “ad-rap-tations” also include “Funk It Up About Nothin,’” “The Bomb-itty of Errors” and “Othello: The Remix,” popular hip-hop updates of the Bard’s classics. This current, slightly revised production of Dickens’ famous story features the talents of both Q Brothers, as well as their two collaborators, Jackson Doran and Postell Pringle. Together, these four mega-talented young men not only came up with the concept and wrote this fast-paced script, continually updating it with current Chicago events, but they perform it, as well. Audiences returning to this happy holiday production will not only delight once again in the brilliance of this production, but they’ll recognize how this show’s become ingrained within these gifted guys. Ably assisted by experienced DJ Clayton Stamper, and working with sound designer by Stephen Ptacek, he’s perched high above the playing area. Together they make this rockin’, poppin’, hip-hoppin’ musical into 80 minutes of holiday magic, with a message that’s timeless and au courant.

It’s impossible to single out any one of these gifted, engaging, vivacious actors. They’re all equally talented, both musically and dramatically, and work so well together as a team. Yet, in spite of this unity, each performer manages to shine individually. GQ not only directs the production, he dynamically inhabits the character of Scrooge. As such, he’s the only actor playing a single character. However, this animated actor, director and co-creator of the piece, clad in gray from head to toe, portrays Ebenezer at various ages and stages of his life. In that respect, GQ is also playing multiple roles in this play. 

His brother, co-creator, writer, director and composer JQ, is simply astounding in a variety of roles. He plays a very funny Ghost of Jacob Marley as a delightfully stoned Rastafarian, clad in wild dreadlocks, a la Bob Marley. In addition, he also plays Marley as a younger man, as well as Scrooge’s one true love, Belle Fezzi. He’s also the joyful Ghost of Christmas Present and one of two Jewish businessmen collecting money for those less fortunate. But perhaps JQ’s best character is Tiny Tim, played as a winsome junior hypochondriac, whose list of ailments hilariously increases with each verse of his song. JQ’s rap as little Timmy Cratchit is sidesplitting and includes some very impressive breakdance moves, all amazingly performed with the aid of a crutch.

Postell Pringle, another co-creator of the piece, is strong, handsome and humorous, both as Bob Cratchit and his bold and brassy eldest daughter, Martha. The scene he plays between the two characters is a tour de force that must be seen to be appreciated. As a talented actor/singer/dancer, Postell Pringle’s an inexhaustible participant in every ensemble number. 

Last, but certainly not least, is co-creator and multitalented performer, Jackson Doran. This likable actor plays a multitude of characters, including Scrooge’s flamboyant nephew, Fred, the miser’s only living relative and the son of his beloved deceased sister, Frannie. As Fred, Mr. Doran is cheerful, charismatic and bubbly, a gay young man and a devotee of party games, married to his same-sex partner (played with hilarity by Pringle). Mr. Doran also plays Scrooge’s childhood pal, Dick Wilkins, one of the two Jewish businessmen collecting money for the poor and, his funniest creation, Mrs. Cratchit. This lady, decked out in apron, hairnet and curlers, is a sassy, red-hot mama who’s part Julia Child and part Beyonce, bringing down the house with all the right moves. Doran is absolutely hilarious.

This production, nestled again in the impressive Yard, with cafe tables and chairs lining the acting area, resembles a nightclub or a cabaret. Scott Davis’ simple set is a tiny, T-shaped concert stage, accented with colored lights, that brings the action into the lap of the audience. Jesse Klug’s lighting is dominated by a colorful, ever-changing neon skyline of Chicago and includes some special effects, including the big, splashy finale that sports over two miles of twinkle lights. Mr. Davis’ costumes, accented by Melissa Veal’s transforming wigs and makeup design, allow this tiny quartet to quickly morph into a cast of thousands.

This is an enterprising, energetic production that delivers brilliant, clever wordplay, refreshing new musical numbers and exuberant dance breaks. With its captivating performances, abundance of energy and creativity and a unique chemistry with the audience, every performance is uniquely special. If theatergoers aren’t thrilled by this exciting, enjoyable production, as Scrooge would say, “You can Chris-my-ass-miss!”Highly Recommended

Reviewed by Colin Douglas               

Presented December 7-23 by in the new Yard venue of Chicago Shakespeare Theater, at Navy Pier, Chicago.

Tickets are available in person at the box office, by calling the theatre at 312-595-5600 or by going to www.chicagoshakes.com.

Additional information about this and other area productions can be found by visiting www.theatreinchicago.com