Chicago Theatre Review
Follow the Yellow Brick Road
The Wizard of Oz – Chicago Shakespeare Theatre
Since this classic movie first delighted children and grownups back in 1939, L. Frank Baum’s glorious fantasy has been a continual favorite. Whether on film, in print or live on stage, as it is at Chicago Shakespeare Theater, this fanciful story, with its inspiring lesson about friendship, is one of the most beloved in children’s literature. Featured in this musical is known around the world. This road story, directed with spirit by Brian Hill and imaginatively choreographed by Kenny Ingram, is about how friends help, comfort and support each other. It also shows how experiencing new places can delight and educate, but ultimately reminds the traveler that, in the end, there’s no place like home.
Living on a colorless Kansas farm with her Auntie Em and Uncle Henry (played by Emily Rohm and Jared D.M. Grant), lovely Leryn Turlington winningly steps into the ruby slippers as Dorothy Gale. After being threatened by grouchy Almira Gulch, running away from home and meeting clairvoyant Professor Marvel, Dorothy and her sweet little dog Toto (played perfectly by Derby, the dog), is swept away to the Land of Oz by a powerful cyclone. Earnest and charming, with a smile that lights up the stage, Ms. Turlington puts her own stamp on the soulful ballad “Over the Rainbow,” just as touching as Judy Garland’s iconic version. On her travels through Oz, Dorothy meets Emily Rohm, miraculously transformed into a gorgeous, glittering, pink Glinda the Good Witch. Dorothy also makes friend with the local Munchkins, played by Karla Boye, Timothy P. Foszcz, Jarod D.M. Grant, Haley Gustafson, Aalon Smith, Lauren Smith, Anthony Sullivan Jr. and Kaleb Van Rijswijck. They all advise her to “Follow the Yellow Brick Road.”
Continuing on her journey Dorothy encounters Marya Grandy’s warmly sincere, rubber-jointed Scarecrow, Joseph Anthony Byrd’s silver-clad and silver-throated Tin Man and Jose Antonio Garcia’s fuzzy and very funny Cowardly Lion. The trio enchants the audience with their musical yearnings for a brain, a heart and some courage, before joining Dorothy on the Yellow Brick Road, heading “Off to See the Wizard.” Did Yip Harburg and Harold Arlen have any idea of the enduring musical magic they’d created when they composed all those wonderful, infectious songs, including “The Winkies March,” “The Jitterbug,” “Ding Dong the Witch is Dead” and “The Merry Old Land of Oz”?
Before long, a cackling Hollis Resnik returns to terrorize the four friends as the Wicked Witch of the West, flying in on her broomstick, ready to wreak havoc and challenge Dorothy for possession of those magical ruby slippers. Although some of the younger kiddies in the audience may be momentarily frightened, there’s far more humor than horror in Ms. Resnik’s delightful characterization. At last the four friends meet the Wonderful Wizard himself, played with blithe befuddlement and glee by brilliant character actor William Dick. He agrees to grant everyone’s wishes if they’ll bring him the broomstick of the Wicked Witch of the West. The plot builds to a climax, as Dorothy and Toto are captured by the Witch’s flying monkeys, held captive in her castle find their lives in grave danger.
The show’s many magnificent, magical costumes are the creation of incomparable theatre artist Theresa Ham and her talented staff. All the whimsical wigs and makeup designs are by Richard Jarvie. Scott Davis’ creative, adaptable scenic design, beautifully enhanced by Mike Tutaj’s excellent moving projections, along with Lee Fiskness’ dazzling lighting plot, help make everyone’s journey from Kansas to Oz, and back home again, a beautiful, technicolor journey. A realistic-looking cyclone, chandeliers of corn cobs, a forest of talking apple trees, the poisonous poppy field and the witch’s watery meltdown are just some of the wonderful wizardry afoot in this spectacular production. Kory Danielson musically directs all of the voices with care, and assistant musical director Kevin Reeks conducts the accompaniment provided by his petite pit orchestra secreted away backstage.
A happy break from the summer’s heat and humidity, this joyous, cinematically faithful, miraculous musical is a production for audiences of every age. Thanks to the popularity of the film, everyone knows this story by heart; but seeing L. Frank Baum’s classic brought to life onstage makes the magic tangible since it’s happening just a few feet away. Brian Hill’s talented cast effortlessly creates all the movie’s many lovable characters and, following each performance, audiences are invited to meet them in person in the lobby. This outing to Oz is one journey that every theatergoer, both the young and young-at-heart, will never forget.
Highly Recommended
Reviewed by Colin Douglas
Presented July 6-August 25 by Chicago Shakespeare Theater in the Courtyard Theatre on Navy Pier.
Tickets are available in person at the theatre box office, by calling them at 312-595-5600 or by going to www.chicagoshakes.com/oz.
Additional information about this and other area productions can be found by visiting www.theatreinchicago.com.
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